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Hanze harpsichord/Hanze clavecimbel

January 5, 2012

Ex-shop and oil painting studio ready for harpsichord

In December 2010, Johan Hofmann a respected Dutch harpsichordist and teacher, contacted me about an exciting project. He was having a new instrument made by Matthias Griewisch. Griewisch is considered by some to be one of the best period instrument builders working today.  My part in this would be to paint the songboard full of flowers as is traditionally done with Flemish keyboard instruments from around the mid-1600’s. The image below is of an instrument made by Herwil van Gelder for Jan Dirk Immelman. I painted it in 2007.

harpsichord decoration

I am deeply honoured to be involved in this project. In August last year I went to Edinburgh’s Museum of old instruments, St Cecilia’s and studied the original, unrestored version of this rare double manual harpsichord.

Ruckers double manual harpsichord circa 1638 photo St Cecilia's-

Johan and I (and Matthias via Johan) have been brainstorming about this instrument for a year now- how it would look, what we wanted to keep from the tradition, what we could change to reflect the times we live in as well as Johan and Matthias’ aesthetic preferences. And of course my sense of how this would all influence the sound board decoration.

It has been a fun and exciting collaboration so far, punctuated by dinner out on the terrace here, a pastry-filled birthday meeting, and climaxing in Johan and friend Bert’s return from Germany yesterday and the delivery of the ‘case’. (The case is the upper body of the harpsichord containing the songboard- the strings and keyboard will be added later).

It is so beautiful. It is just so beautiful. (I’ve been listening a lot to Aerial by Kate Bush, these words should be heard as music, they are about 45 seconds into the video).

It/she/he already has a soul. Here is a picture of him/her under wraps, awaiting adornment with garlands, flowers and arabesques. This will take about 6-8 weeks.

More will be revealed later.

Under wraps

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