December 14, 2014
My writing time has been going into my book. But that doesn’t mean I haven’t been busy making things with my hands as well as my head. Above is my favourite corner in the studio right now. And below, the wall above my work table showing some abstract acrylic paintings I’ve been working on, and a collection of crocheted mandalas mostly done for their colour combinations.
The rag rug has a story directly related to my book in progress.
The book is about the changes I’ve experienced and observed in the arts in the 40 years of my visual arts career. One thread is about my personal journey away from the life of an exhibiting artist and graphic designer towards a more socially engaged art. The second thread is about the role of the arts in times of transition and how the arts are changing to meet the needs of society now.
In the course of the writing and research, I’ve stumbled upon several wonderful examples of artists practising the new arts. Some are old heroes like Lily Yeh, but others are new to me and have in their own ways, ignited my imagination.
One of these people is Fritz Haeg whose work I came across when researching new art trainings and landed at the Mildred’s Lane site. Haeg trained as an architect but early on became deeply involved in questions of how we live, and how we create ‘home’ with what is around us.
This is short video is a good intro to his work. I was inspired by his huge rugs, finger crocheted from used clothes and textiles. They are 30m across, tour some of the major museums, and have been added to by people at each location. These warm objects invite sitting, reclining and meeting in an often otherwise sterile modern museum environment. People are invited to bring other home crafts related to food and gardening- what is growing in the garden that day, flowers found outside, preserved fruits, dried herbs. All are displayed on the rug, forming an intimate environment and what Haeg calls a ceremony in domestic living.
His other projects are as compelling- Edible estates was about turning unproductive suburban lawns into edible gardens and community meeting places. That is for another post.
Haeg says that his art is about creating at least part of an ideal life he doesn’t have (and which doesn’t exist in our society) yet. For me, and I think for him, too, that has to do with more nature in our daily lives, being closer to our food sources, and belonging to a close knit community.
I identify with this, and must say that by making a smaller version of his rag rugs myself, I feel like that ideal life is just a bit closer. Sitting on the floor of my studio, ripping strips of cloth to weave into my rag rug, I feel connected to his work in active way. And of course my friends and acquaintances are exposed to this as well so the inspiration keeps rippling outward.
Lucie, our fox terrier went immediately to my smaller crocheted rag rug in progress.
She looks innocent doesn’t she, but she occasionally has continence problems and when she got up, the rug was soaked through. Luckily it survived machine washing and drying. So now we know that.
And she’s not allowed on them any more.
Here is a detail of the crocheted one a few steps further along. They are so much fun to do. See Fritz’s tutorial to make your own. (The one shown below is not in the tutorial, but is just a simple crocheted spiral using narrow strips of cloth instead of yarn. It is really easy.)