All about colour
May 21, 2015
This is the second oil painting in the series inspired by Rende’s photos of bottles against one of my previous still life paintings. See this post for the first one and some background info.
As I mentioned in the other post, painting something that is already beautiful is not my usual choice. But the richness he captured in the glass against the colourful painting spoke to me. I hadn’t worked with such saturated darks before, and I loved using them.
Nicholas Wilton’s latest post about colour is full of good practical information, a sort of Colour 101. And I appreciated that even though he gives workshops, he is generous about sharing his insights and knowledge for free as well. Basically he breaks down colour theory in painting to 3 main choices, and they all have to do with contrast. Are you going to use a dark or light colour next to your existing colour? Will it be saturated or diluted/toned down? And finally, will it be a cool or warm colour?
All these choices are going on instinctively while I paint. Even though I have a photo as reference, and this dictates my choices to some extent, effects, transparency, back and foreground can all be influenced by the 3 principles Wilton mentions. I’m starting on the third one now, a bit more ambitious as far as complexity. And it really does help to be more conscious of how the colour is going to work in the painting. Here are 2 previous phases of the finished painting above. In this one, after sketching in the approximate colours, I worked from dark to light and slightly more painterly than in number 1.