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Crowded stilllifes

October 23, 2016

cr-stillfe1-begin

underpainting and first forms sketched in        acrylic 40 x 50cm

HI folks, this is a continuation of the series I’m working on which seems to be about dancing between realism and abstraction. I needed to keep the freshness of this  underpainting and sketch, so I let go of certain givens, like making the yellow ball (which was a pomegranate) bright rose red. When faced with a decision, I chose for ‘feels good’ for the whole painting, rather than ‘right’. Looking at this now, I can also see how landscape is coming in, through the patches of green, like crops seen from the sky. (The red and yellow stripe are the Dutch bulb fields 🙂 ).

cr-stillfe1

Crowded still life 1    acrylic 40 x 50 cm

Above is the ‘finished’ piece. It simply means where I chose to stop working on it. Some things aren’t ‘completed’. But it is the imperfections I love so much in others’ work so I left them in mine.

The next piece was quite different. I wanted to work with more neutral colours. It is painted over a few portrait studies I did,  you can see a face peeking out behind the small dropper bottle at the upper right.

glazes-begin

Neutral underpainting    acrylic 40 x 50cm

Without really thinking about it consciously, I started painting this with glazes rather than solid colour. I think that I was quite intimidated at first by the strong and dominating shadows, and this was a way to approach them cautiously.I really loved the black broken lines of the charcoal sketch, so with dry-brush I imitated them in places.

cr-stillfe-glazes

Crowded still life 2  acrylic 40 x 50cm

For some reason one of my favourite areas in this painting is the little rectangle with the orange and greenish blue plum on the lower right just next to the plate with radishes. I also like the shallots.

It would be tempting to ‘fill in’ everything (see bottle and dropper bottle upper right), but my instinct was to leave it. These paintings are done in a spirit of following where the painting leads. There are lots of open areas, spatially as well as in content. I like the surprises I got while painting it. Things happened which  could never be planned. When you’re in that kind of flow, each painting opens out naturally into another one. I don’t have a subject yet, but this exploration will definitely continue.

Next post will be about Matisse. ah lovely.

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