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Show Your Work book coverIt’s been awhile since I posted here. I have been writing- the intended outcome is a book, but I can’t quite get the words, ‘I’m writing a book’, out of my mouth at the moment. It sounds too pretentious and it scares me a bit.

A lot.
Considering how many times I’ve started and stopped work on this project in the past decade or so.

I will finish the manuscript this time, because I promised a friend I would. But whether it will be anything worth sharing at the end, I don’t know. Anyway, it is keeping me occupied, a recent task being going through every one of the almost 400 posts on this blog, printing the relevant ones out and categorising them. More on all that another time.

Anyway, back to the topic of this post which is a book review.

Anyone who has been reading my posts over the past 7 years will know my anti-marketing stance when it comes to art, so surprise surprise, I am about to sing the praises of a book that could be seen as a book on promoting your art, but which is SO not an art marketing book.

I was cruising Amazon and this title was on the recommendations for me. I immediately liked the format and cover and took a ‘look inside’. I was sold from page one. This was an author who understood my reluctance to make self promotion the ultimate goal for my life on Earth, and who has written a kind, heart-filled guide on how to not hoard your creativity, how to not give up, how to keep your integrity while getting your work out there, how to not turn into ‘human spam’ (loved that), and have a great and fulfilling time doing it.

This book is so lovely in every aspect. It has a smooth cover, silky to the touch, the small square format appeals, it simply exudes friendliness and encouragement. There are loads of keri smith style handwritten pages and illustrations by the author, Austin Kleon (who wrote ‘How to steal like an artist’ which I didn’t read because I already know how and am already an artist).

Almost all the people I look up to and try to steal from today, regardless of their profession, have built sharing into their routine.  These people aren’t schmoozing at cocktail parties, they’re too busy for that. (paraphrased):They are working in their studios, getting good at what they do, and sharing their process.

‘By generously sharing their ideas and their knowledge, they often gain an audience that they can then leverage when they need it- for fellowship, feedback or patronage. (personally, I’ve never had any luck with the last one, SZ).

I wanted to create a kind of beginner’s manual for this way of operating, so here’s what I came up with, a book for people who hate the very idea of self promotion. An alternative, if you will to self promotion…Imagine if your next boss didn’t have to read your resume because he already reads your blog. Imagine being a student and getting your first gig based on a school project you posted on line… Imagine turning a side project or hobby into your profession because you had a following that could support you.

Or imagine something simpler and just as satisfying: spending the majority of your time, energy,and attention practising a craft, learning a trade, or running a business, while also allowing for the possibility that your work might attract a group of people who share your interest….

This little book is full of original, funny, insightful, wise advice that can help anyone gather the courage and get organised to share their work more. And who knows where that could lead!  Whether you are a writer, crafter, artist, or hobbyist in anything at all, give yourself a present and go buy it.( And, no, I’m not being paid to say this!)

 

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continued from previous post,     The arts have a crucial role to play   Part 1    Between Grace and Fear

Recently my plea for valuing arts as essential tools for healing and positive change has been strengthened significantly by the book, Between Grace and Fear, the role of the arts in a time of change, by William Cleveland and Patricia Shifferd.
This series of posts attempts to present the main themes running through the book.

Expanding the definition of ‘artist’

Art schools are preparing artists for a world that no longer exists- ie the independent artist living exclusively from her work.

1% of artists in the Netherlands are able to survive financially from their work.

1%.

Not only schools, but artists need to think more broadly about how professional arts training can be applied. There is a new definition of ‘artist’ emerging exemplified mainly though not exclusively by many 20-40 year olds working now- the hybrid artist worker who combines many skills in order to enable others to source their own creativity.

Young artists are gravitating toward an art that matters- a more socially engaged application of their creative skills. Jonathan Harris is my favourite example of this. His TED talks on emotions and the web is also worth seeing.

In a recent round table I attended on arts and dementia care, my colleague healthcare artists also commented how being an artist isn’t enough these days. To do our work within the healthcare system we need more skills, those of : diplomat, administrator, group leader, organiser, etc.

In this new way of thinking about artists, artists are appreciated as professionals of the creative process who can bring these skills into other disciplines to help energise and renew them.

In a larger context, as professionals of culture, artists are meaning creators. Through their stories, dance, music, painting, theatre etc. , they create new and hopeful narratives to help people move forward positively in times of change. I’ll leave it here for now, but for concrete examples of projects read the book.  Or see my blog posts on Lily Yeh or Milenko Matanovic.