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This is an answer to Kristina’s comment on Oil pastels and oil painting

Do have a go.
I work only on coloured charcoal paper, mostly dark- Cansons or Ingres about 200-300g weight. Lighter paper won’t hold up as well under strong application of colour or scraping.
And the colours completely die on white paper in my experience. I want them to glow.

Actually, I received a gift of a basic Sennelier set not long ago and it isn’t bad. Here is a link for a photo of the box http://www.dickblick.com/products/sennelier-oil-pastel-sets/#photos

There are some colours I can’t live without, though. You could choose from these depending on your own needs:
88 Sap Green- (a cool sagey bluegreen)
46 Olive green- (muted dusty green)
206 Moss Green- (a bright yellowy green, lights up on the page)
207 Ash blue- (very very light, I use it to lighten other colours to soft grey tints)
219 Celestial blue (Close to the light blue in the set, but more body)
40 Barite green (my favourite greeny turquoise)
82 Bright turquoise

8 Bordeaux (lovely rich aubergine, couldn’t do without it for shadows and depth)
27 Purple (nice magenta)
216 Perma violet (good basic purple)
202 Geranium lake light (good deep rosy pink)

232 Terra cotta (warm brick colour)
240 Light English Red (lighter versio of terra cotta)
20 Yellow deep (cadmium deep)

And I’ve always loved using their irridescent Red Copper 115. Those are usually stumps in my set. Their metallics are so good and this one just shines on a dark blue background. It also adds wonderful light flecks when used over other colours- see Gerard loved all flowers,  and Moon Music.

You’ve got me all inspired to do some tutorials on oil pastels, because they are the medium I’m really at home in. And there are so many ways to use them.

Don’t let all this info overwhelm you.

Here’s another suggestion for a basic set to put together yourself:
1 White
220 Permanent intense red
22 Gold yellow
20 Yellow Deep
200 Mandarin
213 Veridian Green
206 Moss Green
46 Olive green
219 Celestial Blue
237 French Ultramarine
203 Delft Blue
216 Perma violet
8 Bordeaux
202 Geranuim Lake
34 Burnt umber
23 Black

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Living Tree, Oil pastel on Cansons pastel paper (SOLD)

This is an older work of mine. I’m including it to show the different textures one can get with oil pastels, and also because working this way-  ie more fantasy-like, is very close to me and is what I am missing with the more realistic oil paintings.

Trying to keep an open student mind/beginners mind I did a looser crop of my bottles, then let it dry a bit and worked into it with oil bars and oil paints, keeping in mind my oil pastel techniques. I’m happy with the direction, it has promise.

My bottles, close crop, first stage, oil paint on canvas board

My bottles, close crop, later stage, oil paint on canvas board