October 2, 2014
On one of my walks I stayed in a B&B which was a rebuilt farm. It was beautifully done, preserving the farm’s former character. Some of the walls were more than a foot thick – I shot this sunlit china collection in a recessed (ex-) stall window during breakfast. Next is the underpainting and a first tentative sketch. What I wanted to capture was the yellowness of everything, the walls, the teapots, the sunlight streaming in. (The title refers to a song by my current favourite band, Coldplay.)
Below is the final, I actually like the lightness of the former stage at the top of this post because it comes closer to what I wanted to do. But I like the juiciness of this last version as well.
For the next painting I revisited some photos of still lifes. I wanted to paint the white cloth and capture all the colours in white in different lights. I struggled with various versions of this one. They say that a painting is never finished, it just stops somewhere interesting.
August 7, 2014
Photo Rende Zoutewelle
This is me playing. It could turn into my new art form – it requires only soap, water, air and light. One has no control over the colours or forms, and it is extremely ephemeral.
You can’t interpret it, you can’t put a price tag on it, you can’t sell it, and you can’t market anything but the equipment used to make it, (which I happily leave to others), or I suppose you could charge for being a performing bubble artist.
As I practice it more, I’m discovering that it really is a skill. You have to be aware of the humidity, and be alert to every nuance of breeze and wind.You can regulate the forms somewhat by opening and closing the loop at different intervals, and can do virtuoso bubble blowing by trying to blow one bubble inside another. When I do it on the street, it makes most motorists slow down and smile – equally important on our road where people constantly abuse the 30km speed limit.
I’ve also been up to some yarn bombing. It was a good way to give some love to a dead tree at the end of our front garden, and once more, bring a smile to the faces of passers by going slowly enough to see it. The first crocheted mandalas started to curl,
so I took them all down and treated them with a fabric stiffener (Modgepodge), and now they hold their shape. I’ve sewn the felt leaves by hand, and our neighbour children helped me place some of them.
In order to try to slow down some of the traffic coming through our village, the province placed some cement obstacles up and down the road. One is so close to our garden, I decided to extend our garden onto it and make it an edible green spot. Unfortunately, despite careful care and watering, the plants (nasturtium, strawberry, lettuce, violas) pined away there, they didn’t like the traffic, the direct sun, the fumes? Who knows? So now I’ve got some hardy geraniums on there to see how they do.
Painting has ground to a halt for now. I’m writing, though, not sure if there will be an end product.But with luck it could consolidate into a book on many of the themes touched on here and on tendingtime, my other wordpress blog.
July 21, 2014
It’s been awhile since I posted here. I have been writing- the intended outcome is a book, but I can’t quite get the words, ‘I’m writing a book’, out of my mouth at the moment. It sounds too pretentious and it scares me a bit.
Considering how many times I’ve started and stopped work on this project in the past decade or so.
I will finish the manuscript this time, because I promised a friend I would. But whether it will be anything worth sharing at the end, I don’t know. Anyway, it is keeping me occupied, a recent task being going through every one of the almost 400 posts on this blog, printing the relevant ones out and categorising them. More on all that another time.
Anyway, back to the topic of this post which is a book review.
Anyone who has been reading my posts over the past 7 years will know my anti-marketing stance when it comes to art, so surprise surprise, I am about to sing the praises of a book that could be seen as a book on promoting your art, but which is SO not an art marketing book.
I was cruising Amazon and this title was on the recommendations for me. I immediately liked the format and cover and took a ‘look inside’. I was sold from page one. This was an author who understood my reluctance to make self promotion the ultimate goal for my life on Earth, and who has written a kind, heart-filled guide on how to not hoard your creativity, how to not give up, how to keep your integrity while getting your work out there, how to not turn into ‘human spam’ (loved that), and have a great and fulfilling time doing it.
This book is so lovely in every aspect. It has a smooth cover, silky to the touch, the small square format appeals, it simply exudes friendliness and encouragement. There are loads of keri smith style handwritten pages and illustrations by the author, Austin Kleon (who wrote ‘How to steal like an artist’ which I didn’t read because I already know how and am already an artist).
Almost all the people I look up to and try to steal from today, regardless of their profession, have built sharing into their routine. These people aren’t schmoozing at cocktail parties, they’re too busy for that. (paraphrased):They are working in their studios, getting good at what they do, and sharing their process.
‘By generously sharing their ideas and their knowledge, they often gain an audience that they can then leverage when they need it- for fellowship, feedback or patronage. (personally, I’ve never had any luck with the last one, SZ).
I wanted to create a kind of beginner’s manual for this way of operating, so here’s what I came up with, a book for people who hate the very idea of self promotion. An alternative, if you will to self promotion…Imagine if your next boss didn’t have to read your resume because he already reads your blog. Imagine being a student and getting your first gig based on a school project you posted on line… Imagine turning a side project or hobby into your profession because you had a following that could support you.
Or imagine something simpler and just as satisfying: spending the majority of your time, energy,and attention practising a craft, learning a trade, or running a business, while also allowing for the possibility that your work might attract a group of people who share your interest….
This little book is full of original, funny, insightful, wise advice that can help anyone gather the courage and get organised to share their work more. And who knows where that could lead! Whether you are a writer, crafter, artist, or hobbyist in anything at all, give yourself a present and go buy it.( And, no, I’m not being paid to say this!)
May 11, 2014
This one was a challenge with the various subjects and the rivers of cloth, but I am basically happy with the result. I’ve been working on two in this series simultaneously and this is the second one. The first one is much larger and at the moment is getting a bit too stiff and caught up in details. That’s the challenge when working with patterned cloths- how to indicate the richness of colour and texture as well as the movement of the folds without becoming stuck in rendering just the surfaces.
I liked the boldness with which the cloth in the foreground is painted. I took some tips from my 37 minute paintings (an exercise from Robert Genn’s workshops) and just got on with painting what I saw in a general way without going back much to smooth and model. I am learning through doing that the trick lies in suggesting, not drawing with the brush as if it were a pencil. Personally I am not at all attracted to super realism, I love seeing the breathing in the painting.
I am happiest about the luminosity of the whites on the right hand part of the painting, and the general glow. My work is getting much closer now to what I sense it wants to be, which is saying that the technique is finally catching up with everything else. I am starting to feel a more natural rhythm to the brushstrokes and am understanding which brushes to use when. Also I am discovering the infinite colours that can be mixed for shadows. For example, for warm shadows, raw sienna and permanent rose with just a touch of turquoise to cool down the orange. And to warm it up again for ares catching a bit more light, some cadmium red light.(See the shadows on the cloth near the vases).
I mentioned when I posted the underpainting that I wanted the darks to lead into the painting. This was kept in mind.
May 10, 2014
I just want to mention that I have 2 other WordPress sites.
Tendingtime is my transition blog- the story of my personal reflections and experiences as I navigate a period between life phases, professional identities, and lifepurpose. At first I chose to locate it away from artcalling because it really wasn’t about profiling as a working professional, but rather a more vulnerable venue for musings when moving away from a particular professional identity.
I also still meet prospective customers who want to see what I do, and was not quite ready to publicly reveal my profound sense of alienation from previous design, illustration and calligraphy commissions and deadline work on this blog.
Anyway, I paint regularly, teach and write, and am involved in some activism locally, so it isn’t as if I no longer work.
Now I am more certain of the kind of work that beckons me, I am less concerned about coming across as less credible to the aforementioned type of customer. I sense that my future work will take the form of collaborations with other artists and creatives in a similar phase to my own, and that once and for all any kind of professional posturing won’t be demanded of me.
So maybe I will in time, move tendingtime over here. It is an increasingly important part of my life and reflects honestly where I am on the subject of alternative paths for the arts. This last subject is why I started artcalling 7 years ago.
My other wordpress site, Artwell, contradicts nearly everything I just wrote, and is a showcase for my work. As well as being a gallery for my current oil paintings, I see it as a document of past achievements which I am proud to share. There is calligraphy, harpsichord decoration, oil pastel drawings, etc.
I wish Tendingtime had more of a readership. Having been spoiled on this blog with over 200 followers last time I checked, I’d forgotten how long it takes to build up a readership without being on Facebook or Twitter. What excites me though, is that that blog is connecting me to others with a similar philosophy and experience. Those are such rich connections and I am grateful for them. Rather one of those than 100 of the ‘I follow you will you follow me?’ kind.
So please go over to Tendingtime if you are interested. I am also using that blog to document walking ‘The Pieterpad’, my 480 km journey (in phases) from the northern to the southern tips of Holland.